Mermaid

By Cliff McNish

Night-flying moths follow your curve across the sea towards the white sheets, the clean white sheets, prepared for you at the castle.

Unseen except by black herring shoals, you summon a blue whale, become a remora hitching a ride.

Buoyed by cold ocean, ignoring flirtations of brine and current,  you lazily tail-tease a squid into your tooth-stacked mouth.

A crick of unease then as the whale founders in the shallows, your gaze forced up to where wave-folds fraction the moon, stars and mariners’ ship-lights all the same spangles to your fish sense.

An interlude: palp of gill-stress, waiting for the rain out of the high clouds to haul your salt-muscled belly ashore. Slow progress finding your way, handholds web-to-rock, to moored boats, to rigging, all in a purpose to feel the meaning of man in his tools, your mind drenched  in a liquid fairy tale where love is the colour of a prince on a faraway, moon-troubled shore.

There he is, in his black boots, running back to his father’s castle, a dozen servants to prepare him – enough he thinks (was born to think) – to master you. Gill suck. Then a final spill of rain as you turn your thick neck towards the ladder rising up the wall to the prince’s bed-chamber. Coiling up in its lengths, unwinding your tail, you wet each eye with spit so your first sight of him is true.

Cliff McNish’s middle-grade fantasy novel The Doomspell is translated into 26 languages, and his ghost novel Breathe was voted in May 2013 by The Schools Network of British Librarians as one of the top adult and children’s novels of all time. Amongst other places, his adult stories and poetry have appeared in Nightjar Press, Stand, Confingo, Ink Sweat & Tears, The Literary Hatchet and The Interpreter’s House. Facebook: cliff mcnish; Instagram: @cliffmcnish